![]() Moklebust stated humbly in a 2017 interview on CBS News that he doubted his hunch. Yet they were reluctant to believe they had a hit, one that goes against most fast-paced programming trends and certainly is antithetical to “Nordic Noir,” serialized drama also popular in Scandinavia and now on Netflix. The episode that debuted on Norwegian state television and continues to be popular on YouTube (over 1.7 million views) had two showrunners that took a risk, Rune Moklebust and Thomas Hellum. Netflix railroad story tv#The formula for this reiteration of Slow TV was simple: put a camera on the front of the train and watch the scenery that it films and records – for as long as the scheduled journey takes (when the train went into a tunnel, the producers inserted archival footage). Russian film directors Aleksandr Sokurov and Alexander Tarkovsky rejected Eisenstein’s emphasis on editing in order to tell story and indulged in the languor of the long take. Other precursors include Andy Warhol experimenting with the aesthetics of the immobile camera and unedited footage in 1964 with films like Blow Job, Sleep, and Empire. Arguably, Slow TV as a genre is a newer iteration of the crackling yule log loop originally shown during the Christmas holiday on WPIX in New York beginning in 1966. Other Slow TV shows included ones on knitting, salmon fishing, and chopping firewood – thus elevating the everyday into the realms of the extraordinary without narration or dialogue. Bergensbanen – minutt for minutt announced the arrival of “Slow TV,” which then included other railway journeys such as the ten-hour Nordlandsbanen – minutt for minutt shot entirely above the Arctic Circle. ![]() After all, since 2009 more people have seen the television program than have ridden the train from Bergen to Oslo.Īn eight-hour train ride through Norway from Bergen to Oslo – with no edits, voice-over commentary, musical underscoring, or unsolved murders – became a surprise hit on Norwegian television in 2009 and then found international success. ![]() Yet if Slow TV is concerned with capturing movement, which is actually quite fast during the journey, why then is it also slow? The slowness is in the pace and length of the story, as it stretches beyond the length of normal programming into a marathon session, mimicking the duration of the long train ride, providing a sense of nostalgia for an aesthetic event never actually experienced. ![]()
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